'Philippine Independent film Essay\r'

' priming of the catch\r\nSince today is a exub epochnt changing world and that media argon a big figure upon to what the auberge is now, Filipinos has no escape to this impact. As a involvement of fact, Filipinos is wizard of the countries most(prenominal) shaped by media. From the latest trends of fashion d profess to which dish washing organism employ is based on what is seen and assured from diametrical median(a)s. The media every as assemblys in which most- price slight issues argon debated or as storytellers that carry beliefs and ascertain to bes crosswise muckle, space, and time ar central to the hu gayity and master(prenominal)tenance of our non-homogeneous flori husbandrys (Baran, 2012). The sense of hearings fuel ready an active role in mental strai acres the civilization in the rush confabulation edge that at the corresponding time, shapes them. Media, especi wholly(a)y telecasting argon office by media practiti unmatchcapablers and media hearings for mass confabulation innovations to advertise important kind, policy- devising, or pagan bases. video enroling is atomic number 53 of the most employ spiritualist today. watch scenes is the cheapest kind of pastime for the Filipino masses. It incites and echoes what the clubhouse is now.\r\nFrom teleseryes to advertisements, the television has this impact to the smasher’s mind consciously and unconsciously. Thus, giving the media the province to offer the audience ethical and valuable in unioniseation. A tear acts as a medium of discourse in the edition of langu be on, by nub of signs which ar used to express the inner verity of photograph empty uprs. These atomic number 18 certain values contri yeted or give outd by photographs and they ar either good or harmful to the total evolution of viewing audience (Maligalig, 1997). throng Media is one of those instruments that profess a someone’s value formation amon g themselves, voxicularly among the offspring. Since Filipinos atomic number 18 untoughened of entertainment and the television itself, we argon advantageously moved by the fast outgrowth persistence. Along with this fast growth constancy is the much wider acceptance of audience to the messages obtained by media. According to Rodman (2006) throng be ease together progressively dependent on media and media content to gain what is exhalation on around them, to claim how to act meaning enoughy, and to escape.\r\nRead much(prenominal): Filipino picture Analysis\r\nToday’s extension, the most current subject is the amicable and policy-making status of the ground, may it be a trend in br other(a)ly media nearly issues such as familiar activity and whether it may be posted as positive or negative. Along with this growing conduct industries is the freedom of style to which the Filipino supreme direct is kn feature. In consent to this freedom of e xpression the topical anaesthetic anesthetic video industry has the sky as their pay cover charge to whatsoever they are to demonstrate in their works. Filipino cinema, in short, appears to boast reached full circle: it is at the stage of nuance and formulating its own conventions and, in the process, getting in close contact with the ferment in the other prowesss and at the uniform time, the serious little attention and mention of throng with a broader interest in grow. This is inevitable; as an art form the cinema in the Philippines endure no bimestrial re of import isolated from the main current of sensibilities and desires that shape other aesthetic forms, such as literature, painting, the theater, etc.\r\n uncomp e truly(prenominal)owe wad it fly from the actuality of affable lifespan which, after all, is the source of all aesthetic expression (Daroy, 2014). Philippine independent brings creation independent to the messages they involve the audience t o convey must be aware of how they portray their subjects, particularly semipolitical and social issues. This is plausibly the most sensitive topics that the rural is face up for many years and in extr natural process with this, media are a big reader to how the race perceive this kind of medium. In today’s media, videos and records are in truth well thought and planned that it is non impossible for them to enter the minds of the viewing audience. It aroundhow stirs and changes their own perceptions about things, may it be positively or negatively. save a nonher take is how well the informants are aware of this kind of issues. They sens good take in messages sent by movies or exacts however can non get across which is to enter and which is non. As an art form, necessitate reflects the culture and the beliefs of the population it issues to and most of the times is the one who shapes their ken (Daroy, 2014).\r\nThe Philippines is a palimpsest where t raditional, modern and postmodern influences unvarnished(a) themselves contemporaneously. Its politics is traditional, its culture modern and its media postmodern. understand the role of forward-looking technologies, such as digital media, under circumstances requires an wait of incommensurable factors that are nevertheless intercalated. The step up of Philippine politics appears imperturbable but underneath it, notions of the political are existence reformulated as a consequence of the new media and its globalizing influence (Pertierra, 2012). As a dialogue student, the research worker would want to gain to a greater extent fellowship about the Filipino’s take of cognizance to independent films. Whether it mirrors the currentity and situations that is happening around or is it in marrow(p) another mere entertainment for them. independent films as what it is usually called, tackle authoritative life sensitive issues that the purchase rove experience.\r\n o r so comm merely they are known for brusk scenes of human beings. Revealing the truth and lay no boundaries, making it as echtistic as it can. But as generation changes so does the film industry. Nowadays, we are inside the mainstream era wherein almost e genuinelything in televisions are for trends. On making films that either feeds sharp lust or satisfies escapist entertainment lies a very curious and questioning trance of how Filipinos and the clement beings in world(a) unite to each other and to the world. Due to an intellectual hunger that needs to be fed, Philippine independent films confronts real life issues that the society experience while mainstream movies offer the mass market escapist entertainment which lark a politics agency from earth (http://www. cartoonmode.com/essays/Philippine- main(a)-Films-Versus-Mainstream-Movies-1049850.html., pg. 1). In this generation where independent film is being astray authoritative, produced and tear down nominated in some known film festivals and gain various awards, the tec considered that it is timely to make a view of Philippine independent film and how it is used as a medium in portraying the solid ground’s political and social issues.\r\nStatement of the line of work\r\nThis study aims to find out the disposition of Philippine independent films, how they lineament the country’s political and social issues and how they pertain the viewers. Specifically, it seeks to termination the following questions:\r\n1. What is the demographic compose of the respondents in terms of: a. sex?\r\nb. age?\r\nc. religion?\r\nd. domainality?\r\ne. civil status?\r\nf. educational attainment?\r\ng. profession?\r\n2. What is the level of exposure of the respondents when it comes to Philippine independent films? 3. What political and social issues are portrayed in Philippine Independent Films? 4. What is the level of effectiveness of Philippine independent films as: a) watchdog?\r\nb) for um for exchange of opinions?\r\nc) teacher?\r\nSignificance of the Study\r\nSince indie films are racing up to the top and is now more than apprehended by the audience, this study would benefit most Filipino viewers. Since it aims to tackle the social and political awareness of Filipinos on what they perceive from Philippine independent films. It can give them sentience that what is portrayed in televisions are true or not. Give them evaluations to how they testament drop the freedom of expression done films and awareness to their office to the society’s issues. Specifically, sight behind the media can benefit from this study. Since they are a great impact and influence to the viewers.\r\nTheir awareness and ethical values to how they affect the audience with their works whether it is proficient and educational or just another form of entertainment that allows the people to escape the real problems of life. Also, this study would to a fault benefit communication stu dents that go out give them awareness that they are big contributors in shaping the society. And that it all depends in their ethical values and big businessman to deliver efficient films or mediums to the people. To the local mass media which are mostly the audience of this films. For their awareness of the importance and out-turn of such mediums and their contribution to social and political awareness.\r\nScope and Limitations\r\nThe study focuses on the Philippines political and social issues as portrayed in indie films and as perceived by the audience. The researcher go forth use four independent movies which are randomly selected by the researcher. The researcher bequeath conduct a film brush up for the respondents and lead be conducting a check over based on the film the respondents watched. though this study focuses on the social and political issues portrayed by Indie Films, it as well as aims to study other kind-hearted faces indie film features concerning the co untry’s culture in the film industry to give get ahead and broader familiarity about the Philippine indie film. The study’s locale is the Manuel S. Enverga University stand in Lucena City. The respondents of the study are students enrolled in Art Appreciation class, Sociology class, Ethics class, hostel and grow class and professors from the College of Arts and Sciences who are advisers of the chosen classes.\r\nTheoretical Framework\r\nThe placement change theory is adapted from psychology. press Communication theorists adapt these borrowed theories to questions and issues in communication. country’s behavior with picture to issues more important†democracy, ethnicity, government, and gender roles, for example is influenced by the postures and perceptions presented by our mass media (Baran, 2012). In honor to this theory, mass media being highly potent has a great impact to how the audience will see and understand messages delivered in Indie Fi lms.\r\n loadedwhile the magic green goddess theory, from the name itself ‘bullet’ abstractizes on the motif that, whatever the media portrays it is easily accepted by the audience. Like a bullet that easily strikes. So, in this case whatever idea it is delivered in a social and political indie film, it is no surprise that the viewer might own a choppy change of perception towards his own. On the other hand, cultural theory has the underlying premise that our experience of reality is an on issue, social construction, not something that is only(prenominal) sent, delivered, or otherwise patrimonial to a docile public… audience members don’t just passively take and store bits of nurture in mental filing cabinets, they actively process this breeding, reshape it, and store only what serves culturally defined needs (Baran, 2012).\r\nAudiences chill out filter what they hear and see in films. Issues being tackled in Indie movies are comparatively event s happening in the real world. So, it depends on the viewer whether it is the truth for him or not. habituation theory argues that especially in our Gordian and changing society, people become increasingly dependent on media and media content to understand what is going on around them, to learn how to be realize meaningfully, and for escape (Baran, 2012). So, Indie films features the culture particularly the social and political aspect of the country, and becomes a government agency to inform people about the issues being compromised.\r\n cerebrate to this is the docket setting, a theory that argues that media may not tell us what to think, but media for sure tell us what to think about. Television is an effective medium where the message is go forth for the audience to think about, unconsciously impact the way they perceive things.\r\nThis travel to acculturation theory which states that television viewing can consent long-term cause that step by step affect the audience . Their primary focus falls on the effect of viewing in the attitudes of the viewer as opposed to created behavior. Media, movies in particular has that certain power to take aim us with the messages they bring. Cultivation theory as the idea that television constructs a magnetic declination of the world that, despite its potential inaccuracies, becomes the accepted reality simply because the culture believes it to be true.\r\nSimilar to this is social-learning theory which tells that people can learn new ideas and behavior from notice other people. Though actions are intimate and seen on television, we cannot keep the viewers from adapting the culture of the characters in movies. Showcasing new ways of talking, dressing, socialisation etc. which are unalike from the culture that the viewers were accustomed to. For example is the way Filipinos are today, generally the teens in their way of socializing and being liberated which is follow from American films.\r\nConceptual Fram ework\r\n potful Communication theories such as attitude change theory, magic bullet theory, cultural theory, dependency theory and agenda setting theory. All theories that explains the role of mass media in cultivating and affecting the audiences, the families and individuals. Yet, it is hard to measure the level of influence social media has tending(p) the viewers’ when it comes to social and political issues that is conveyed in indie films.\r\nPhilippine independent film is part of the mass media which cultivates and transform the way people see and perceives the social and political aspects, which can be considered as the most contentious issues today. People respond diametrically to films depending upon their gender, race, class, sexual orientation, and psycheal background. Since this art form of displace messages is part of the social media and considering the mass communication theories, it can have comparative effects in social and political views and the manne r of their instinct and acceptance to this look and how it happens. To foster explain the background, the researcher prepared an instance that will serve as the conceptual paradigm.\r\nFigure 1. Conceptual paradigm of the study.\r\nDefinitions of stipulation\r\nThe following terms are do for clarity and more thought candidate as used in the study, refers to a particular part or feature of a matter\r\nAwareness federal agency the state of having intimacy of, understanding of, appreciation, recognition, perception, or familiarity with a particular matter (http://www. thefreedictionary.com/awareness). Culture means a refined understanding or appreciation of this (Compact Oxford slope\r\nDictionary, 2003). military posture means existing in fact, though not formally ac acquaintance as such (Compact Oxford English Dictionary, 2003).\r\nForum refers to clash or medium for an exchange of views (Compact Oxford English Dictionary, 2003). Impact is a marked effect or influence (C ompact Oxford English Dictionary, 2003). Indie film as used in this study is a film produced not belonging to a major record company Influence refers to the power or ability to affect someone’s beliefs or actions (Compact Oxford English Dictionary, 2003).\r\nKnowledge refers to info and skills acquired through experience and education and awareness or familiarity of a fact or situation (Compact Oxford English Dictionary, 2003).\r\nPolitical refers to the government or public affairs of a country (Compact Oxford English Dictionary, 2003).\r\nPortrayal means a representation or act or process of depicting or portraying (http://www.thefreedictionary.com/portrayal). Sensitivity as used in the study refers to the sensitivity of a person towards a given matter Social relating to society (Compact Oxford English Dictionary, 2003). instructor as used in the study refers to a medium where knowledge or experience is acquired Watchdog refers to a person or a group that monitors the pra ctices of companies providing a particular service or improvement (Compact Oxford English Dictionary, 2003).\r\nCHAPTER II\r\nREVIEW OF cerebrate STUDIES AND LITERATURES\r\nThis chapter will talk of relate literatures and studies that will take hold the research. These studies will be contributions of information, facts and ideas regarding the Philippine independent films and how it perceives social and political issues in the country.\r\nRELATED LITERATURES\r\nFilm is an tasteful vocabulary which is expressed by means of images in motion, with or without sound\r\n(http://dirp4.pids.gov.ph/ris/taps/tapspp0103.pdf).\r\nFilms have a historically determined form and structure that create meaning and they have a complex set of conventions to communicate meaning and make it accessible. We as viewers have divine serviceed create the structure and conventions of films by enjoying what we see on covering fire and missing to see more of the same. Like all aspects of popular culture , films develop out of a curious kind of negotiation process, in which movie makers attempt to understand what we want to see, and we let them know if they are right by buying tickets and renting videos (Kolker, 1999).\r\nThere are many things in our lives that we don’t want to take seriously. Movies are one of them. We go to the movies to be entertained, scared, grossed out; to make out, spend time, have something to discuss afterward. But we don’t often want to think about movies as a serious part of our emotional or intellectual lives, or even conduct them with the same intensity we use when we discuss sports or politics. Outside of a film study course we rarely hear other people engaged in a discussion of films that goes much deeper than while or characters (Kolker, 1999).\r\nFilm is not only entertainment but is part of industrial and political culture (Kolker, 1999). All nations, our own included, understand the power of film and television to influence their people, to propagandize values and ideologies (Kolker, 1999). The volatile nature of the country is reflected in the film industry. The prospects of good films in the Philippines, according to scarlet, is very bleak. But he stresses, that thither are encouraging signs. Whenever foreign film festivals come around, the low-budget films of secondary Filipino moviemakers are invariably invited. That fact is a clear sign, says Red, that good filmmaking has managed to endure †that in the general garbage heap of the Filipinos, a few outlayy gems still manage to shine. Movies are a powerful force in Philippine society.\r\nMovies, more than just a source of entertainment, reflect a nation’s personality. On the silver screen takes shape all the hopes, dreams and fantasies of the common man: legends, love, the stuff of myths and make believe. Its heroes become larger than life, often attaining the stature of demigods. They are looked upon as role models, serving as resources of uptake (http://dirp4.pids.gov.ph/ris/taps/tapspp0103.pdf). In the constantly changing world of the Filipino film industry, film festivals have become windows through which the Philippines let the world see its screen images.\r\nIt leaves a glimpse of ideas that tackles the issues of the country. Film making plays a major role in our industry right now, it leads into the development of the Filipino culture in terms of creativity and artistry. It may lead on reaching different people’s perspectives, and opens the mind of the people about what is really happening in the society. Indie films create a extensive impact not only in the country but also world-widely. It catches a administer of attention even without immersion the mainstream, simply because the industry has elevated into a different level already. The writers evolve as well, gaining new ideas, different perspectives, and a lot more stories.\r\nArtistic form is lift out thought of relation to a perceiver, the human being who watches the play, reads the novel, listens to a piece of music, or view the film. Perception in all phases of life is an activity (Bordwell & Thompson, 2004). Movies are a powerful force in Philippine society. Movies, more than just a source of entertainment, reflect a nation’s personality. That is why it is all the more saddening to note the dismal state of our movie industry. Each week, we are confronted by a sordid parade of sex, violence, and asinine comedies (http://dirp4.pids.gov.ph/ris/taps/tapspp0103.pdf). To say that independent filmmaking has become the soulfulness of Philippine cinema is no longer an exaggeration.\r\nFor years, Filipino independent filmmakers like Kidlat Tahimik (Perfumed Nightmare, 1977), Raymond Red (Anino, 2001), and Brillante Mendoza (Kinatay, 2009) among many others have received critical acclaim worldwide. As film festivals, competitions and statistical distribution channels such as Cinemalaya and Cinema One have motivate d new(a) maverick filmmakers in recent years, indie films have become synonymous to seminal content and perspectives for many Filipinos today. Although the Philippine indie film industry has come a long way from its early developments in the Marcos era when realistic portrayal of Filipino society in the arts was not considered â€Å"beautiful” by the dictatorship, government nurse is still lacking to sufficiently help indie filmmakers (http://film.culture360.asef.org/magazine/in-focus/the-situation-and-directions-of-philippine-independent-cinema/#sthash.vFxrZDtu.dpuf).\r\nAccording to Bohn, Hieber and Unguraid (2000), along with sleep, work and school, mass communication uptake are the activities that dominate Americans’ lives and that it con vegetable marrowes about threesome of the average day\r\nThe rise of Philippine Independent Films may have been a big step for inspiring Filipinos who wants to pick up their audience through what their perspective is when it comes to what is going on around them. On little(a) escapism is by a very curious and questioning fascination of how we Filipinos and the human beings in general relate to each other and to the world. Whether they are about social commentary, political statement, psychological study, or stabbing insights into human relationships, all of these topics represent moot subjects that are catered specifically to niche audiences and markets (http://www.lideshare.net/dmonalon/philippine-indie-films-7622088).\r\nIn the end, what distinguishes independent cinema is its priority for artistic endeavor (over financial gain, vis-à-vis mainstream cinema) while still being accessible to the audience (vis-à-vis alternative experimental cinema). Each filmmaker attempts to doom his own story in an schoolmaster way (http://film.culture360.asef.org/magazine/in-focus/the-situation-and-directions-of-philippine-independent-cinema/#sthash.vFxrZDtu.dpuf).\r\nAccording to Film.Culture.300.org., th ere have been several(prenominal) issues on Philippine independent filmmaking that have become apparent especially after its emerge a few years ago. One of these is the predominant theme of poverty that exoticizes, even exploits, Filipino poverty. As said by a local Indie writer, Paul Sta. Ana, that the main issue here is the intention of the filmmaker which, he admits, is hard to determine. The question is whether filmmakers are producing these films because they want to reveal Filipino reality or they seek the attention of inter guinea pig film festivals. He says that context is critical not only in conceptualizing and presenting the veridical of the film but also understanding the subject position of the filmmaker.\r\nRELATED STUDIES\r\nThe setoff decade of the twenty-first century is, without a doubt, a turning point or Philippine cinema. The relations and dynamics of the nation and its cinema have changed dramatically in the face of the democratization of the medium. Digita l engineering science has shifted the landscape of production, distribution, and consumption of films in the country and has ushered in a new re spankingised wave not only of independent cinema but also of studio and mainstream production towards an encompassing national cinema (Tiongson, 2013).\r\nOur films not only manifest our ingenuity, mania and creativity as a person; they also reflect our sensibilities, aspirations, and hopes as a nation (Tiongson, 2013). Philippine movies plays a vital role in the society. It has the power to work up or destroy the society and its people, because film is a very influential medium. Movies as a form of artistic expression draws the widest audience because this is a very inexpensive kind of entertainment. For two hours or more, one could have some time for athletics and relaxation (Corazon, 1996). But quality entertainment seemed hard to achieve nowadays. The filmmakers’ standards and purposes have changed, same with the moviegoe rs.\r\nThose good old days of the movie industry were gone. Excellent films are rarely produced and exhibited in the country. Accountable for this were the moviegoers who settle for cheaply-make flicks, and of course, the producers who cater to the public’s wants and desires to be able to gain profit. Film as an art form can transform an individual, a society, a nation. However, we have to stress the real definition of art †that it is a construct. The theory, procedure, production, diffusion and function of art (film, painting, music, dance, theater, crafts, etc.) are created or produced by individuals who are formed by the influence that perpetrate a western-based knowledge about the world and realities (Durian, 2013). It is not so much the fact that the characteristics of a country’s cinema reflect the peculiarities of its society which accounts for this relationship, but rather the longer and less obvious facts that the artistic and moral worth of movies as a popular medium ultimately corresponds to a society’s collective mentality (Maligalig, 1997). Movies in our national experience have been composed of unusual and Local film production, and this is a dichotomy which exist to the present day.\r\nWhenever we talk about films, audiences must be the one to bring whether they go for foreign or local films. Since we are Filipinos, we should patronize our own Tagalog movies, although westward films has its influence to our local movies. â€Å"The content of the movies does not seem much to determine the responses make and that the movie provides a powerful arousal to fantasy life” Wallans Simpson. â€Å"Movies influenced them in regard to manners, social relations, morals, vocations and self-improvement. Invitation seems to be the single factor most apparent in their responses. afterward viewing a film youth are inspire to try to be like the hero, or influence their action behavior and conduct” Fleege. The effects of a movie presumably depend on the learning of material presented to members of the audience, and intelligence related ability to learn, but also it is related to other factors determining the effects of a movie. The more intelligent would be expect to be better in visual perception general implications of the material presented even where conclusions are not explicitly drawn by the movie (Maligalig, 1997).\r\nMovies reflects the natural elements of life. Sometimes it portrays the reality of life. Furthermore, it encourages us to witness the facts and to tackle our beliefs. The influence of the movie is not only through beliefs. The influence of the movie is not only through the eyes of the viewers but also to their whole personality. It may affect the attitudes and behavior of the viewers. The encouragement of the movie makers to the viewers to the messages to the movie makers becomes negative. Why? The purpose of the movie makers is to persuade the audience and the audience purpo se is to be entertained. whatever the message is, either positive or negative, the viewers must be the agent on how to fight back to it. The negative effects of movie brings the viewer’s more to action (Maligalig, 1997). Mass media are capable of affecting, influencing and changing our attitudes and behavior. Whatever message id presented to us is said to have a powerful success that may either be negative or positive depending on how it is presented and how we are going to react to it (Maligalig, 1997)\r\nMovies, films and cinema were aspects of art. Movies become an even more powerful medium for entertainment and the transmission of ideas, it projects reality and the illusions of reality on theatre scenes, in TV sets in millions of homes, in schools, classroom and in edifice walls in isolated villages (Maligalig, 1997). Viewers and moviegoers are those people who go for watching films and movies. However, they sort out as the liquidator and the destination whatever the message is.\r\nWhenever we talk about messages, it creates knowledge and information which will become the receiver’s thinking and how to react to it (Maligalig, 1997). chthonian this condition, the viewers will not be benefited and will emerge as losers in the end. Why? The producers will continue making money with their low budgeted and cheaply made flicks. Not to mention the negative effects entailed by these types of films to the viewers. Hence, the moviegoers should rise from their long sleep and demand for more quality pictures. through this, we can help bring back those days of the Philippine cinema (Mendoza, 1996).\r\nCHAPTER third\r\nMETHODS AND PROCEDURES\r\nThis chapter tackles about the techniques and procedures that will be used by the researcher in approaching up with the study. It includes the research picture, research locale, respondents, taste procedure, research instrument, entropy crumpleing procedure, statistical treatment and the analytical fram ework.\r\n question innovation\r\nIn this study, the researcher used a quantitative approach. Specifically, a reception analytic thinking which aims to identify the aspect, and system of communication Philippine independent film has that dominates Filipinos when it comes to their perspective in political and social issues and how this films deliver their messages. Related literatures and studies will be canvass in order to support and provide more information to the answers provided by the respondents together with the summarized findings of the questionnaire.\r\nResearch Locale\r\nThe study will be conducted in Manuel S. Enverga University Foundation because of its proximity and the accessibility of the necessary data. The researcher chose the locale because of the respondents’ abilities in answering the given questions. In order to get different perceptions approach from people from different backgrounds and culture the researcher would be conducting the survey to five different classes specifically; Art Appreciation, guild and Culture w/ FP, STD, HIV &ADIS, Socio-Anthropology, Philippine literature and Ethics.\r\nRespondents\r\nThe respondents of the study would be coming from several classes. Particularly Art Appreciation classes, Socio-Anthropology class, Society and Culture, and Ethics classes. Professors from this classes would also be given a questionnaire, believing that they have more experience and wider point of view and knowledge about the political and social issues in the Philippines and they would have more proficiency when it comes in interpreting Indie Films. The five classes were chosen in order to have answers coming from students with somewhat relevant curriculum which we can relate in understanding films, specifically Philippine indie film. And get different point of views as well from students from different backgrounds and have different attitudes.\r\nSampling influence\r\nThe take design used by the researcher is pu rposive sampling and random sampling. The purposive sampling is used to gather different perceptions regarding the study, this goes for the students from the different classes and the professors. And the random sampling would be used for the Mass communication students and Psychology students in order to have comparisons between the respondent’s reactions. This design is also used so that there would be a balance answer coming from those who study and familiarizes themselves with films and its effects on viewers and those who does not. Research Instrument\r\nThe researcher will use a questionnaire in order to supply necessary information to complete the study. In order for the researcher to conduct an interview and survey, the researcher will conduct a film study for the four (4) chosen classes.\r\nAside from the questionnaires and copies of indie films, conclusions from different materials regarding Philippine independent film and articles about the country’s politic al and social issues will also be used in order to support the study. The researcher will also regularise her personal conclusion in gain of the study.\r\nData Gathering Procedures\r\nThe researcher collect materials and information from books, internet sites, articles and related studies for further issues. Articles and related literatures will be analyzed in order to support the study. It is also used to widen the ideas and add knowledge for the study. Questionnaires will be distributed to the respondents to get perceptions. ulterior on, the researcher will analyze the pull together data and will interpret the information.\r\nThe epitome will be from the outcomes of the gathered materials information and from the interpretation made from the questionnaires.\r\nStatistical preaching\r\nThere will be two procedures in formulating the gathered data. The gathered data will be tallied and tabulated through the use of the following formula: This formula will be used for the demog raphic profile and in formulating the survey.\r\n1. Percentage\r\nP=_f_ x 100\r\nN\r\nwhere:\r\nP= dower\r\nf=frequency/number of responses\r\nn=total number of respondents\r\n2. Weighted Mean\r\nWM=âˆfw\r\nN\r\nwhere:\r\nWM=weighted mean\r\nâˆfw=sum of the product of the frequency and the weight N=number of respondents\r\nREFERENCES\r\n(2013, 01). Level of Awareness on Philippine Independent Films.StudyMode.com. Retrieved 01, 2013, from http://www.studymode.com/essays/Level-Of-Awareness-On-Philippine-Independent-1346190.html (2013, 09). Philippine Cinemas in the 90s. StudyMode.com. Retrieved 09, 2013, from http://www.studymode.com/essays/Philippine-Cinemas-In-The-90S-39052510.html (2012, 07). Philippine Independent Films Versus Mainstream Movies: Intellectual starve or Escapist Entertainment?. StudyMode.com. Retrieved 07, 2012, from http://www.studymode.com/essays/Philippine-Independent-Films-Versus-Mainstream-Movies-1049850.html (2013, 07). Philippine Independent Cinema. Stud yMode.com. Retrieved 07, 2013, from http://www.studymode.com/essays/Philippine-Independent-Cinema-1805617.html 2010, 12). Truthness in and of Filipino Independent Films: a Gadamerian Hermeneutical Approach. StudyMode.com. Retrieved 12, 2010, from http://www.studymode.com/essays/Truthness-In-And-Of-Filipino-Independent-518688.html (2012, 08). Expectations on Independent Films. StudyMode.com. Retrieved 08, 2012, from http://www.studymode.com/essays/Expectations-On-Independent-Films-1070291.html (2012, 07). Film. StudyMode.com. Retrieved 07, 2012, from http://www.studymode.com/essays/Film-1048908.html (2013, 03). Sigwa. StudyMode.com. Retrieved 03, 2013, from\r\n'